![]() ![]() This differentiation contrasts with the choruses of ancient and contemporary dramas, who remain amorphous presences in their respective dramas. Next, I analyze the innovative elements of Graverobber’s role in the film, showing a number of qualities which differentiate Graverobber from the remaining cast of Repo! The Genetic Opera. To prove this assertion, I first discuss the characteristics and uses of Greek choruses in ancient dramas and interpretations of the Greek chorus in contemporary musical theater, and draw comparisons between these choruses and the role of Graverobber in the film. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation which is not present in ancient Greek choruses and modern interpretations of the Greek chorus. The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information.
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